INCOGNITO

An acid jazz project with surprisingly deep roots in the 1970s jazz/funk/fusion world, Incognito was originally formed by Jean-Paul Maunick (aka Bluey) and Paul "Tubbs" Williams. Both were leaders of the late-'70s disco-funk group Light of the World, who scored several moderate British hits, including a cover of "I Shot the Sheriff." Just after the release of Light of the World's third LP (Check Us Out), Maunick and Williams shifted the lineup slightly and renamed the conglomeration Incognito. 
Incognito debuted with the single "Parisienne Girl" and released the 1981 LP Jazz Funk, but were inactive during the rest of the 1980s. Maunick continued to write material for his group, even while working with Maxi Priest and others. (Williams later moved to Finland.) By the beginning of the 1990s, DJ legend and early Incognito fan Gilles Peterson had founded the Talkin' Loud label and he made Incognito one of his first signings. The 1991 single "Always There" (with vocals by Jocelyn Brown) became a Top Ten hit as part of Britain's booming acid jazz scene, prompting the release of Incognito's second album overall, Inside Life. It was largely a studio affair, with Maunick and engineer Simon Cotsworth directing a large cast with many of the best musicians in Britain's fertile groove community. 
With 1992's Tribes Vibes + Scribes, Maunick added a more established vocalist, the American Maysa Leak. A cover of Stevie Wonder's "Don't You Worry 'Bout a Thing" became another Incognito hit, and the album ascended Britain's pop charts even as it rose on America's contemporary jazz charts. The third album, Positivity, became the group's biggest album success, with much attention across Europe as well as Britain. Leak unsuccessfully attempted a solo career with Blue Note, leading to the temporary vocal replacement Pamela Anderson (not the Baywatch pinup) on 1995's 100° and Rising. Leak returned, though, appearing on the following year's Beneath the Surface. Incognito later expanded its discography with 1996's Remixed, 1998's Tokyo Live, and 1999's No Time Like the Future. 

ADVENTURES OF BLACK SUNSHINE
RELEASED - AUGUST 10 2004

It's funny how every time another phenomenally funky, brass-fired groove party comes out in the shape of another solid Incognito date, the label touts it as "retro." This time, Narada Jazz's press materials focus on all of group mastermind Jean-Paul "Bluey" Maunick's influences in order to remind listeners that he's a child of the '70s. But the basic soul vibe of that decade has been the defining element of Incognito's sound since their first disc in the early '80s. The big story on 2003's Who Needs Love was the inclusion of a Brazilian vibe via Ed Motta, and here it's the return after several albums of the honey soul-voiced Maysa Leak, who was a big part of the group's rise to acid jazz prominence in the early '90s. Depending on the intensity of the groove, Leak's cool vibes add breeze or urgency over the course of her seven tracks — from the laid-back seduction of "Don't Turn My Love Away" to the more danceable and emotionally charged "Everything Your Heart Desires" and the moody, socially conscious "This Thing Called Love." Listening to the irrepressible instrumentals, which keep the groove moving under increasingly snazzy horn fire, it's clear the kind of impact Incognito has had on newer Brit outfits like Down to the Bone. "The 25th Chapter" rolls on and on like a disco on fire (with jazzy flute pepper trying to put it out), while no less than George Duke (another '70s-minded jazz-funk genius) spices up the spacy soul jam "Mindin' My Business" with some out-there Rhodes improvisations. Even with some 1,000 musicians passing through Incognito's ever-revolving doors and ever-evolving sound, Maunick's admiration for the soul music that first inspired him comes through brilliantly every time out.